Academic Programming

ACADEMIC PROGRAMMING

  • contact: academic@wiscon.net
  • Deadline for proposals: February 14

WisCon has a track of academic programming, framed by the convention’s Statement of Principles, that is open to undergraduate, postgraduate, and independent scholars. One of the benefits of this track is that it strengthens the links between the wider feminist science fiction community, students and other scholars working on feminist science fiction, speculative fiction, fantasy and related fields. The track operates very much like a conventional academic conference, with presentations based on research. However, scholarly work on all aspects of feminist science fiction reaches an audience at WisCon that gives a kind of passionate and informed feedback that is rare at academic conferences. We very much encourage submissions from people who aren’t involved in formal academic work! Over the years, people have presented papers on fantasy, horror, speculative and science fiction literature, media, and fandom, examining issues of feminism, gender, sexuality, race, disability, and class amongst many others.

CALL FOR SUBMISSIONS — WISCON INVITES SCHOLARS TO SUBMIT PROPOSALS FOR WISCON 43 ACADEMIC TRACK

 

One of the things that sets WisCon apart, besides being the first feminist science fiction convention, is that we place many types of fannish interactions side-by-side in our programming. We have panels dedicated to exploring a single book or film as well as panels that look at, say, race across all of science fiction. We have author readings, discussions of fanfic or fanvids, and conversations about games and gaming.

We also have an entire track dedicated to scholarly investigations of feminism and science fiction — open to scholars of all descriptions.

The proposal period for WisCon’s academic track programming is now open!

WisCon’s track of academic programming, framed by the convention’s intersectional feminist principles, encourages submissions from scholars in all fields, including interdisciplinary and transdisciplinary areas, and from amateur and independent scholars as well as graduate students, postdocs, and faculty. One of the benefits of this track is that it strengthens the links between the wider feminist science fiction community, students and other scholars working on feminist science fiction, speculative fiction, fantasy and related fields.

Given our current political moment we invite papers and panels that explore the theme, echoing that from the National Women’s Studies Association Annual Conference 2018: “Feminist visions of freedom, dream making and the radical politics of futures. What are the meanings, histories, and cultures of “freedom?” How is freedom lived/embodied without becoming a buzzword? And how does this shape feminisms’ relationship to speculative genres (scifi, fantasy, horror, and beyond) both past and present? This theme is an opportunity both for work that deals specifically with social and cultural questions about the radical politics of futures as they relate to feminist science fiction and for work on the histories and dream making of freedom-oriented fan communities.

Further, we invite proposals from anyone with a scholarly interest in the intersections of gender, gender identity, sexuality, race, class, and disability with science fiction — broadly defined — in literature, media, and culture. We encourage contributions that emphasize WisCon’s focus on how science fiction has played an important role in the exploration and creation of socially just futures: futures where people of all colors and backgrounds flourish, where women’s rights and women’s contributions are valued, where gender is not limited to one of two options, where no one is erased out of convenience, hidden discrimination, or outright bigotry. We especially welcome scholarship on the work of 2019’s Guests of Honor G. Willow Wilson and Charlie Jane Anders

An incomplete list of possible subjects:

  • What are the meanings, histories, and cultures of “freedom?” How is freedom lived/embodied without becoming a buzzword? And how does this shape feminisms’ relationship to speculative genres (scifi, fantasy, horror, and beyond) both past and present?
  • Gender, gender identity, sexuality, race, class, and disability in individual works of science fiction and fantasy, especially in the works of our Guests of Honor, G. Willow Wilson and Charlie Jane Anders
  • Feminist, queer, critical race, and critical disability analysis of science fiction and fantasy in media (film, television, music, video games, online culture)
  • Speculative aspects of feminist and social justice movements
  • Race, colonialism, and speculative fiction; Indigenous Futurism, Afrofuturism and related cultural movements
  • Feminist pedagogy and speculative fiction in the classroom

An incomplete list of possible formats:

  • 15-minute paper presentations, with or without visual accompaniment
  • Groups of presentations submitted together as panels
  • Presentation of scholarly creative works, including digital scholarship
  • Discussion-based panels and roundtables on scholarly research, teaching, or service
  • Screenings and discussions of short films or videos

The deadline for submitting an abstract for WisCon 43 is midnight Central Time on February 14, 2019.

Please submit your proposal using this form (wiscon.net site profile is required). You will be asked for a 100-word abstract, which will be printed in the convention’s program, and for a more detailed proposal of up to 500 words. If you are proposing something other than a traditional paper, please make sure you describe the format of your proposed program item. A projector and screen will be available; if you have further technological needs, please let us know in your proposal.

If you have questions, please email: academic@wiscon.net