AAT Public Statement on “Killable Bodies” Panel

UPDATE: April 14, 2019 (posted in May 2019)

At this time, AAT has completed deliberations. We do not have anything to add to the detailed discussion of our process and analysis contained in the blog post below.

We have developed a new standard operating procedure for concom members, Safety, and Chairs to follow regarding incidents at WisCon, and it is our hope that this new process will help avoid the miscommunication that took place at and after WisCon 42.

We would like to reiterate that our approach in handling reports of abuse is to focus on specific behaviors and their effects, not to identify politically reprehensible individuals. In cases such as the “Killable Bodies” panel, where harm is caused without obvious intent, we are interested in whether someone is willing to acknowledge the impact of something they did or said, to apologize where necessary, and to work toward avoiding future harm by making changes––whether those be in the form of concrete actions or of learning to better understand others’ perspectives.

This is a follow-up post from WisCon’s Anti-Abuse Team on the “Killable Bodies in F&SF” panel.

We have begun the process of working through the aftermath of this panel and its fallout. We have read the formal reports (15 made at the convention and more in its aftermath) and public comments, and we are continuing our discussions with the people who were involved. At this time, we have not yet reached any decisions, but as information circulates about what happened, we do have some clarifications to make.

First, we would like to clarify the process by which a member of WisCon may be banned from the convention. During the convention, the Safety team collects reports and provides support to WisCon members who experience difficulties of any kind, from trip hazards in the hallways to cases of abuse and harassment. When serious issues arise, Safety brings them to the convention Chairs, who are the only ones who have the authority to make at-con decisions about disciplinary action. Once the convention is over, the Anti-Abuse Team (AAT) – a larger group with a slower deliberative process that operates according to transformative justice principles – takes over and discusses issues that were not fully resolved at the convention.

WisCon’s processes are constantly evolving. The AAT also takes the lead on designing and implementing new guidelines where they prove necessary. We have read and listened to many criticisms about the way WisCon handled this case. We hear that many in the community were uncomfortable that a public post was made before the individual in question had been contacted. We understand why WisCon’s chairs made the decision that they did in making this post, but we agree that this process was not ideal. As part of our work in reviewing this case, we are developing a framework to follow for contentious, time-sensitive cases such as this one, and we hope that our updated frameworks will help us make better decisions in the future.

Questions have been raised about the panel’s planning and composition, so we would like to briefly describe our panelist selection process. Anyone can submit a panel suggestion to WisCon; these suggestions do not have to be fully fleshed out and can be a broad idea. Panel Program staff goes through these suggestions and wrangles them into a list of proposed programming. That list is then sent out to WisCon attendees to mark their interest in panels. At this stage, attendees can also mark whether they would like to be on the panel as a panelist or a moderator. The Panel Programs team then assigns people to panels based on the availability and interest of those who have volunteered to participate. While WisCon does its best to vet and balance panelists, sometimes a panel composition ends up not being ideal, or panelists find themselves in conflict as the discussion goes on.

Our Code of Conduct affirms respectful disagreement and the discussion of controversial ideas while disallowing comments that harmfully reinforce structures of oppression. A fast-moving convention can be a complex landscape to navigate; WisCon makes decisions based on members’ reports of harm. In terms of what was said at the panel itself, it is clear from the many reports that audience members and panel participants felt that distressing and harmful statements were made. Safety acted promptly to provide support, and the Chairs acted to minimize future harm. While we may have changes to suggest about the details of the process, we support the at-con team’s responsive attention to the safety of WisCon’s members.

It is also clear that perceptions from those who attended the panel vary significantly. We would first like to apologize for the wording in the initial public post that may have mischaracterized the panelist’s background and what happened at the panel. We have not completed our investigation, but at this preliminary stage, we can state that this was not a case of an outright Nazi sympathizer or alt-right infiltrator at WisCon, but rather a case of a conversation going badly awry amid deeply fraught political and emotional territory. There does not seem to have been any intent to promote Nazi ideology.

However, we also want to note that intent cannot always prevent harm, especially within a social context in which support for unconscionable acts has become normalized. A speaker might assume that everyone in the audience knows that they condemn bigoted violence. However, antisemitism, white supremacy, and Islamophobic and anti-immigrant violence are at high levels under the current US administration and continue to rise. Without an explicit condemnation, it can be unclear whether a speaker is seeking to understand how these ideologies come about and why people promote them, or whether a speaker is tacitly promoting apologism for such ideologies.

Finally, we wish to clarify that WisCon does not make decisions about who may attend the convention based on identifying politically reprehensible individuals. We focus on specific behaviors and their effects, and we are interested in whether someone is willing to acknowledge that something they did or said caused harm regardless of intent, to apologize where necessary, and to work toward avoiding future harm by making changes––whether those be in the form of concrete actions or of learning to better understand others’ perspectives.

We thank the WisCon community for its patience with our deliberations. If you would like to get in touch to share information or ask further questions, you can contact us at antiabuse at wiscon.net.

Announcing our WisCon 43 Guests of Honor — G. Willow Wilson & Charlie Jane Anders

We are overjoyed to introduce our Guests of Honor for WisCon 43!

G. Willow Wilson

G. Willow Wilson lives in both Egypt and the United States. She is the author of two books, five graphic novels and two comic book series, including her first novel, Alif the Unseen, and the comic book series Ms. Marvel. Her memoir about life in Egypt during the waning years of the Mubarak regime, The Butterfly Mosque, has served as a common read for communities and campuses across the country.

Charlie Jane Anders

Charlie Jane Anders is the author of The City in the Middle of the Night, plus an upcoming young-adult trilogy. Her novel All the Birds in the Sky won the Nebula, Crawford and Locus awards, and her short story “Six Months, Three Days” won a Hugo. She’s also published a novella, Rock Manning Goes For Broke, and a story collection called Six Months, Three Days, Five Others. She was a founding editor of io9.com, and organizes the monthly Writers With Drinks reading series.

A note about this year’s Tiptree celebrations

This is a guest post from the Tiptree Motherboard. We thank WisCon for kindly allowing us to post this here.

It has come to our attention that our introduction and celebratory song & materials for Tiptree Award winning book Who Runs the World / The XY by Virginia Bergin contained language that suggested the novel portrays a trans-exclusionary view of gender. We want to apologize unreservedly for any harm this caused to audience members. While Bergin’s novel was exciting to the jury because of what they believe to be its trans-inclusive, non-essentialist approach to a trope that has often relied on a dangerously reductive understanding of gender, we also now recognize that the invocation of the trope can in itself be harmful.

Since the ceremony, the Tiptree Motherboard has spent time discussing what we can do to make sure a similar situation does not arise again. We have set in place a policy for vetting of future Tiptree songs and materials prior to public announcement, and we have reaffirmed our commitment to making sure each Tiptree Award jury incorporates a variety of backgrounds and perspectives. We also recognize that no oppressed community is a monolith and that any representative marginalized community member’s reaction, opinion and experience differs from another’s, and as such we need to be careful to include multiple marginalized perspectives in all aspects of the Tiptree organization, including the development and approval of celebratory materials for the winning work. This discussion is ongoing, and we welcome suggestions and recommendations.

We would like to offer a little background on the award and the book for those who may wish to understand how it came to be selected. The Tiptree Award is selected by a jury of five people. The Motherboard selects the jury members, then gives them a free hand both to choose the winner and to interpret the Award’s remit to “expand and explore our understanding of gender.” Bergin’s novel was chosen by Alexis Lothian (chair), E.J. Fischer, Kazue Harada, Cheryl Morgan, and Julia Starkey along with a 9-item honor list and 26-item long list that you can read about here.

2017 Juror Cheryl Morgan, who was unable to travel to WisCon, wrote a review that offers her perspective as a trans woman on the novel. This review was posted shortly after the winner was announced in March. With her permission, we are linking it here so that readers can gain a sense of how the novel’s gender politics was understood by the jury. You can read the original here.

Note that this review contains major spoilers for key plot points in Who Runs the World / The XY.

Ah, another XY plague book. What a tired old trope. And it is YA as well, so presumably the politics will be very simplistic. Yes, I am as susceptible to unconscious bias as anyone else. But in this particular case I had the pleasure of meeting Virginia Bergin and talking to her about the book before reading it. On the basis of that chat I decided to give it a try. I am so very glad I did.

An XY plague is, of course, a plague that wipes out everyone with a Y chromosome, while leaving those with only X chromosomes untouched. It is a staple of feminist separatist fantasy; let’s get rid of all of the men, and then we will have a utopia.

Of course an XY plague will kill a bunch of intersex women as well, not to mention almost all trans women. That’s another reason why hardline separatists love the idea. If you cling to the biological essentialist idea that XX = good, XY = evil, then of course you are going to be excited by such a concept.
This, however, is science fiction. Disasters that wipe out much of mankind don’t happen simply for revenge, or at least they should not do. They happen because that allows us to imagine significant changes to human society that could perhaps not occur in any other way. And they allow us to interrogate the results of such changes.

At first sight the setting for Who Runs the World is indeed a feminist utopia. Life is idyllic for young women like our heroine, River. She has a safe and supportive home. She’s well educated. She loves aircraft and dreams of one day flying and designing them. As she’s smart and well connected she will doubtless go to university and gain the skills necessary to do so. And she is also expecting to marry her best friend and one day raise a family with her.

River’s world is blessedly free of men. She’s never seen one, but her school work has taught her all about the terrible things they did. Her world is better off without them.

Utopias, however, are generally only pleasant on the surface. Peer beneath that and you start to see the cracks.

One way of introducing such cracks might have been to make the book about trans people. Bergin chose not to do that, at least in part because she felt that she didn’t know enough to get it right. A wise writer does not choose to plunge into waters she doesn’t know how to swim in.

So instead Bergin makes the book about biological essentialism. That, as it happens, is a cornerstone of anti-trans ideology. As a result, the book is all about trans people, even though it barely mentions them.

Our story begins when River, traveling home alone because in her world it is safe to do so, encounters a strange animal. It is clearly sick, and rather violent, but it is nothing she can’t cope with so she takes it home to see if it can be nursed back to health.

That animal turns out to be something called a “boy”.
And thus the cracks in River’s idyllic life begin to appear. They show up thanks to the multi-generational cast. Simplistically, women in River’s world come in three types: young women like her; mothers; and grandmothers.

The mothers are the generation of women who inherited the world after recovery from the economic collapse caused by the plague. They now run everything from business to politics to the military. Most of them have never met a man, but they know what awful things men are capable of and know what a mess of a world they inherited.

The grandmothers are women who, in their teens or twenties, lived through the plague. They saw their boyfriends and husbands die in their arms. They gave up their boy babies to government hospitals in the desperate hope that a cure would be found and they would one day see them again. That day never came.

Until now. Because River has brought home a teenage boy called Mason. He’s alive out in the world, which should not be possible. The grandmothers are suspicious, and they want to keep this miracle boy.

Slowly but surely the underpinnings of River’s world are revealed. Unlike many separatist societies, this one does not benefit from parthenogenesis. If the women want children they need sperm. There is only one way to get that, and very few sources. Human sperm has become one of the most valuable commodities on the planet, and the UK is a world leader in its production. River’s idyllic home life is based squarely on economic exploitation of this important resource.

The men who survived the plague, and those boys who have been bred since, are kept in “sanctuaries”. Ostensibly this is because they would contract the plague and die if let out; and because men are violent and dangerous and should not be permitted to roam freely in the women’s world.

Inside the sanctuaries the men are groomed to be exactly the violent, misogynistic monsters the public is told that they are, in the belief that this will make them better producers of sperm. It is all about the best quality product, after all, and there are marketing narratives to be fulfilled.

Mason’s arrival in River’s community gives the lie to the official government line on men. If he’s violent, it is because he’s terrified having been fed stories of what awful creatures women are. Treated kindly, he’s perfectly capable of responding in a similar vein. But the government wants him killed before the story can spread. If River and the grandmothers want to keep Mason they will have to fight for him. River decides to do that using the only weapons open to her: transparency and democracy.

So what we have here is book that strikes right at the heart of TERF ideology. Having a Y chromosome does not automatically make you a violent monster. People who say it does are probably using that story to cover up some ulterior motive. Also, having a feminist, separatist society does not make you free of the temptations of power politics and capitalism. Given the chance, matriarchy can quite unpleasant in its own way.

Many current arguments against trans rights, especially in the UK, are based squarely on the idea that anyone with a Y chromosome is automatically violent and dangerous; probably a rapist. It is biological nonsense, but a very powerful narrative that men have done a lot to bolster because it helps keep women cowed. Having a book that strikes directly at that idea, and asks us to consider how we might build a society that men, women and all other genders share in equally, seems to me like perfect timing. I’m glad it turned up in my year on the Tiptree jury.